Once again, Eaglewood Folk Festival provided a place to engage with live music in many ways. In addition to 2+ days of concerts and workshop stages (Susie Vinnick, The 24th Street Wailers, The Strumbellas, The Bombadils, Danny Michel, and Steve Poltz just a few of the inspiring artists who performed) there was a songwriting tent and two open stages.
In the songwriting tent, I gleaned some good advice from Steve Poltz and Keith & Renee about the songwriting process. Knowing you are writing for, knowing yourself, discipline and banishing the spectre of writer’s block were just a few of the themes that performers and festival-goers explored.
The Saturday acoustic open stage was hosted by the oh-so-welcoming Shaman Ayerhart. It was such a popular event that there was only time for one song each and it still went half an hour over time. There were familiar faces from other years (including Shaman’s parents) as well as some lovely surprises. I wish I knew who the spoken word performer was – he only went by the handle “IF” – he blew our socks off with his poetry and presence. A second opportunity to play the little stage in the woods was offered on Sunday afternoon.
The icing on the cake for an already full and fulfilling Saturday was the late night campfire. Hours slipped by like minutes as we went around and around, sharing old favourites, originals, accompanied by the occasional train passing through (often at very fitting moments). It was hard to pull ourselves away from such great company and music, but the promise of one more day of music at Eaglewood was the incentive to get a few hours of sleep. As we wove our way back through the dark paths we heard strains of music playing, saw glimpses of other fires through the trees.
Thanks, Eaglewood, for weaving some musical magic.
Callisto with Shaman Ayerhart on the dobro
