Silence has been a hub of creativity for performance, improvisation and bringing together music and visual arts. One of the regular offerings at Silence is an open mic, twice a month where you are welcome to share your talent: artists, poets, musicians, magicians – and more!
The venue is licensed, but this is definitely a listening room – no competing background noise – and it is an early night (6:30 sign-up for a 7:00 start). There is a rotating host who also provides a feature set. This particular night, hosting/featuring duties fell to songwriter Paul Cammaert. It was a quiet evening, which meant each person had a bit more time to share.
All are welcome!
[Silence, 46 Essex Street, Guelph; 1st and 3rd Wednesdays 7-9 pm; $5/pwyc cover; licensed]
I’ve been to concerts at Silence and have appreciated it as a listening room. The performers don’t need to compete with conversations, espresso machines or cash registers and the audience can relax and take it in.
Morning music at Silence takes the listening to a whole other level. At 9:30 am people arrive and without any formal introduction or signal, at some point start making sound with a wide array of instruments. The soundscape meanders, at times soft and contemplative, humorous, or wild and energetic.
Today’s collaboration included: stand-up bass, trombones, trumpet/flugel horn, Chapman stick, lap steel guitar, violin, acoustic and electric guitars, flute, piano, an electronic sound gizmo, and a variety of percussion ranging from Djembe and cajon to bells and kitchen implements. Gary Diggins described it as an exercise in deep listening and invited me to respond with sound or silence.
Since there is no score, no predictable structure, no chord progression to practice, the part of me that likes to be prepared was a little apprehensive about taking part. As it turns out, I thoroughly enjoyed it; not knowing what comes next, listening closely, and responding to the moment. It was a meditative experience in an active, expressive way, continually calling me to be present and not let my mind wander anywhere else. This is a great place to loosen your creative muscles and let them play.
[Morning Music; Mondays at 9:30 am; Silence 46 Essex Street, Guelph; $5 cover, breakfast contributions welcome]
There has been a music-shaped empty space in Guelph for a while now. Once filled by the Magnolia Café and then by the Joint, the Red Brick Café took its turn last week hosting musicians on a Tuesday evening.
There was a very enthusiastic turnout, both performers and listeners. Original songwriting, old standards, spoken word all had their time at the mic. I know I am not alone in hoping that they invite the acoustic open mic folks back again – maybe once a month? It is a lovely venue for music (the Café presents many live music events), the snacks are good, the service is friendly. And the people who came out to play… a fine group of people!
[Red Brick Café, 8 Douglas Street, Guelph; licensed – stay tuned for further Tuesday night developments…]
Looking for a place to share some ukulele joy? The Mighty Uke Club of Guelph has reconvened, Sunday evenings at the Red Papaya in Guelph. This is a relaxed group where you can join in as you like, lead a song (or not), learn some new uke chords and hear creative versions of music you’ve heard before – Guns & Roses, John Sebastien, Feist, Rolling Stones, and Leonard Cohen were just a few of the artists given a ukulele interpretation.
Hosted by our fearless leader, Kim Logue, the group is still sorting out how often it will meet so confirm on FB. Next meeting is Sunday, March 5th: https://www.facebook.com/events/1575065992511382/?active_tab=discussion
More good news for ukulele aficionados! There is a ukulele festival coming to Guelph this fall. The Royal City Uke Fest will offer workshops, group strums and a concert by the fabulous James Hill and Anne Janelle. Tickets for this September 30th event are already on sale.
[Mighty Uke Club, Red Papaya 55 Wyndham St N, Sundays 7-8:45 pm, no cover, licensed.]
This weekend I treated myself to a Beatles harmony workshop offered by Sam Turton in Guelph. I spent so many hours listening to the Beatles as a youngster that I feel their songs have colonized my DNA. Do I really have more to learn about this catalogue?
Apparently I do! As Sam deconstructed the oh-so-familiar harmonies and shared his enthusiasm for Beatles song craft, I heard things in a different way and was able to notice subtle details that make the songs so memorable and their style so unique. And then, the best part of all, we got to sing. I found myself gravitating to George’s part on most songs – who knew?
There are more workshops coming up February 12th, March 12th and April 9th. Get in touch with Sam for details: http://www.samturton.com/contact.html